Trials

December 28th, 2010

The dank forest was flooded with foreboding in the dark before dawn, but Ulf, son of Alf, son of Wulf, fearlessly delved deeper and deeper into the wood, slipping wraithlike through the soupy morning mist. A ferocity had been loosed in the forest by the Elders and Ulf was tasked to defeat the creature and win the trophy it carried, unarmed and alone. The beast was raised for the singular purpose of meeting the boy in battle, as doomed Ulf was to this day. This, a gruelling test of his manhood alone, was but the first of three trials he would face on this day. Triumph would propel Ulf from a boy to a man, allowed to forge his honour in battle and, gods willing, die with glory. Failure was unthinkable; he would be consigned to a year of the worst of the women’s work. Ulf shuddered as he thought of the piles of odorous loin cloths he would have to scrub should he forfeit and, worse, the pitiless scorn of his brethren. Each day would be a death. Ulf continued into the wood with a strengthened resolve.

As the morning sun’s weak hay tinted rays needled between the thick tree trunks, he at last sighted the beast. It was a boar of such stature that to call it pig was as to call Mjöllnir a hammer. More monstrous than he’d imagined, it bristled and rippled with thick slabs of muscle. A hawser of saliva drooled from its mouth and spattered on the ground. It snuffed and grubbed in the mossy muck with its muscular snout, oblivious to all except the beetles and worms that it rooted up and crunched in its cavernous maw. Ulf crouched low, working his way in a wide hem around the creature, manoeuvring so that the swine lay between him and the keen toothed gully. He steeled himself, uttered a prayer to Odin and began his assault. The hog heard his foe’s charge and quickened, starting and plunging into the brush. It soon found flight blocked by the deadly gulley’s drop and spun with a snort, spraying moss and twigs in a dirty crescent. The beast gave a hate bellow and fixed its pygmy eyes on his assaulter. Ulf was on it in seconds. He assailed the beast even as it worried the ground, ready to charge. His quick hands found the porky throat, and his strong arms entwined the lusty neck, pushing back the head with its gnashing, foaming jaws, fingers harrowing its fatty wattle with every mote of strength. It roared, shook its bristly head, tried to loose the strange, hairy pinion. It pushed back with its huge hocks, pulling Ulf with it, who furrowed the ground with his heels. They wrested, fused, making a slow yard to the edge of the gully. At the last moment, Ulf loosed his grip and the creature slued. One hefty hoof kicked into the void and the porker panicked. Ulf reacted instantly, setting his shoulder beneath the great pork belly and heaving the beast it onto its flank. He gripped the great gold ring protruding from the swine’s spumy nostrils and in a single mighty heave, he ripped it free. Ulf stood away, letting his deringed foe totter to its feet. It considered Ulf with a rolling eye as great globs of snotty blood slopped onto the forest floor. Ulf raised his hands to the sky and gave a great howl of victory, sending the shamed pig fled squealing into the trees. Ulf paused briefly to offer his thanks to the gods, and then headed back down the hillside towards the camp, where his second trial awaited.

Nearing the treeline, he slowed his pace, fear and doubt creeping into his mind. No amount of strength or training could prepare him for what lay ahead. This was the terrible Test of Will. He had heard tales of men being driven mad, clawing out their eyes and beating in their own skulls with rocks to escape the torment. A cold sweat formed between his shoulder blades, and a finger of icy terror poked him in the belly. He thought of his mother’s words to him the night before.

“Ulf, when you enter the second trial, let your soul fly free like Odin’s ravens. If any scrap of your mind remains within your body, the terror will take hold of it and shake it like a dog with a rag. It will eat you from the inside out until it has consumed the very soul of you, and there will be no option to end your life in despair. I will not lie to you son. This will be the hardest thing you have ever done, and no man escapes without damage. But, should you pass this test, fear will never have hold of you, for you will have looked into the darkest corner of Hel and clung onto life. Survive this trial and you will have conquered death itself.”

Ulf walked into the camp, where the men of the village awaited him. He handed the pig ring to Mord, who took it with the slightest of nods. He walked past his younger brothers, who would not meet his eyes, who stared at their feet and shuffled awkwardly. He walked past Magnus and Harald, the strongest of the Vikings and his trainers in the art of combat. He walked past Olaf and Leif, the most magnificent of all the hunters. At last he arrived at the end of the line. Before him stood the tent where the trial would take place, its heavy black canvas adorned with powerful runes to bind the evil that lay within. His father and Jarl Gunnar stood on either side of the tent entrance. Alf clasped his son to his breast in a bearlike hug then, releasing him, looked deep into his eyes. There was nothing to be said between man and boy. Ulf then nodded to Gunnar, who pulled back the thick canvas of the tent flap. Ulf stepped inside, and the entrance was then furled and bound tightly shut, sealing him in darkness.

Ulf crouched in the impenetrable darkness, feeling more alone than he ever had. Biding his mother’s advice, he sought to clear his mind of all the wretched thoughts that clamored inside his head. In the dark, with his eyes so completely shuttered, he became acutely aware of his body, of the crackling of his skin in the dusty, stifling heat of the tent. An acrid taste of musty iron welled in his mouth, burning its way down his throat as he gulped for air. His fingertips thrummed. As he sat there, he became aware of the sound of waves of blood surging in and out of his temples. His ears became as sensitive as a wolf’s, every detail of each dry breath revealed in inglorious detail. Steadily he became aware that he was not alone. The rasp of a calloused hand on polished wood. The subtle, but unmistakable twang of tightening cat gut. A thousand ants crawled at once over Ulf’s skin. Then, a voice came out of the darkness, at once low and scratchy and squeaky and cracked. It was a nightmare made sound. This was the voice of Skald the Bald, the singer of songs, player of the lyre and the bringer of damnation to men’s souls. Every younger was warned that, if they misbehaved, the Skald would appear in their dreams and sing one of his epics into their ear while they slept. By morning the child’s brain would be as scrambled and rotten as a bucket of old fish guts. The Skald was the clan’s ultimate weapon, and was feared by their enemies more than any warrior. However, his awful power was a two headed axe, as he insisted on practicing his art at the feast table. By the rule, any time he opened his mouth with lyre in hand the nearest Viking must, on pain of death, pour as much mead down his gullet as was possible. By the time he was able to utter a note, he was always so drunk that his words were incomprehensible and his playing even sporadically enjoyable. But here he was now, sober as a newborn, and ready to spring forth with an epic so long and harrowing that it would not cease for 6 dreadful hours. His bony fingers plucked the first note and Ulf split the air with the first of many long and terrible screams.

Darkness had fallen when the tent flaps were finally untied. All was silent around the camp as Magnus pulled Ulf from the tent. His body was curled into a foetal ball. His fingernails were cracked and bleeding where he had clawed at the canvas in an attempt to escape. Olaf tenderly plucked the stones out of the side of the boy’s head where he had jammed them and Leif cleaned the sweat, dirt and blood from his face, creased into an expression of ultimate torment. The trial seemed to have physically aged him. They shook their heads. It was a terrible test for even the most wall willed Vikings, and there was no shame in succumbing. They called out to Ulf’s father to come to grieve his son. At that moment, Ulf stirred, his eyes, gummed together with blood and tears. Magnus was the first to notice it, and gave a great shout. Within moments, the whole camp was in uproar. Every Viking, man, woman and child rushed to gather around the boy. Olaf moved them back as Alf cradled his son’s head. Ulf’s eyes opened and he looked up at his father. His cracked lips parted and he spoke in a thin whisper. Alf bent his head to hear what his boy was saying. He nodded, and then addressed at the assembled crowd, his eyes shining with pride.  ”By Odin’s beard, will someone get this man a drink!”

The third trial was not so much a trial as a celebration. However, it was still a mighty test. This was the Test of Heart, better known as a drinking competition. Ulf was to go head to head with Grunth the Sober for ten ever more alcoholic rounds. Grunth was a viking so accomplished in the art of the mead that he guzzled fifteen horns before breakfast each and every day. It was said that he was so used to seeing double that his eyes now worked independently of each other. One year he set fire to himself when he took a piss too close to a fire and his urine ignited. This was a Viking that even the most hardened of drinkers considered to be a bit too fond of the booze. His moniker was due to the fact that no-one had ever seen him drunk, as invariably they passed out first. Ulf seated himself opposite Grunth, and offered him his hand. Grunth vigorously clasped the air a foot to the right of it. He had no such trouble finding the first horn of mead, and so it began.

It was testament to Ulf’s strength that several hours later he was still able to manage something that could loosely be described as walking, and even then he had fallen over seventeen times in the thirty yards from the longhouse. After the fifth round, the other Vikings couldn’t resist joining in, and the celebrations had begun in ernest. Ulf picked himself off the ground for the eighteenth time and looked around. It was a miracle that he hadn’t spilt a drop from the mead horn he clutched. Everything looked familiar, but it all seemed to be a bit backward, so he concluded that he must be lost. He closed one eye, which improved matters slightly. He then tilted his head back, fell over, picked himself up, tilted his head back more slowly and scented the air. The latest in a line of a great fisherman, Ulf had been born with a special gift. His olfactory sense was so finely tuned to the smell of fish guts that he could tell identify species with only a brief whiff of innards. He was so skilled he could track fish in open water by smell alone. In times to come, epic sagas would be told of his fantastic fish locating skills, but for now, he needed to locate his home. Inhaling a damp lungful of the night air, he recognised the distinctive odour of his cabin on the seashore, wafting through the thicket of firs. He set off towards it, weaving his way around the piles of animal bones, the scruffy, sleeping dogs and the snoring, grunting heaps of his comatose brethren, lying hither and thither, wherever they finally collapsed. At the mouth of the clearing, Ulf paused to catch his breath against a tree, his face mushed against its rough bark. He hiccuped loudly, vomited noisily down his front, wiped his chin with a grubby sleeve, took a gulp of mead and then set off once more.

In more capable times, the walk would’ve taken less than half an hour, but it was three hours before Ulf finally crawled out of the woods. Somehow he had lost one of his boots and he appeared to have a small thicket growing out of one side of his matted hair. He rolled down a bank, coming to rest in the damp sand, where he sat for a while, his head throbbing in counterpoint to the slushing waves. The sea wind, thick with daggers of salty ice, lashed his face. He wasn’t bothered by the cold, but the wet air seemed to be sobering him up and Ulf wasn’t convinced this was an improvement. He frowned at his unacceptably empty mead horn. He foggily remembered a small barrel of cider hidden under the bed, and a bit of pickled fish in the larder. Both of these things sounded like a good idea. Ulf hauled himself unsteadily to his feet and meandered down towards the cabin. As he approached it he noticed something strange. The door was slightly ajar and a weak light moved around inside. It couldn’t be any of his family, as the last he saw of them they had passed out in a heap after dunking each other repeatedly in a barrel of some foul smelling booze that Grunth had stashed behind his cabin for a special occasion. Ulf checked his belt and cursed. He had left his axe in the village and his fish knife was missing, presumably lost somewhere in the woods. Ulf decided that the only course of action was to storm the cabin and use the element of surprise to overcome the interloper. He began to run down the path, picking up speed as he went. He flew over the loosely packed dirt path, his feet spraying up clods of wet mud. It was now that Ulf realised that he only had one boot on, as he speared his foot repeatedly on the sharp stones littering the way. As he neared the door, hopping and swearing, he dropped his head, aiming to charge the intruder like a wild boar. As he did so, his bare foot came squelching down into a bowl of slimy fish heads that he’d left out for the dog and Ulf became airborne. Flailing his arms, he flew through the air like a crazed and filthy sea bird before crashing headfirst into the door frame. He slopped into the mud, groaned and rolled over. What a brutal pig, a crazed bard and a wagon full of alcohol had not managed, a bowl of fish heads and a doorframe had conspired to accomplish. As his vision blurred and whirled, Ulf felt himself finally succumbing to unconsciousness. As the lights winked out above him, he was surprised to see the dark mass of a giant raven peering down at him. Its great oily wings unfurled about him, and soon everything went black.

Fever

March 23rd, 2010

The broken gate swings in the wind, thumping the linnet post with a hollow knock, knock, knock-knock. From the main house I can hear it, where my brain spits fitfully as the storm builds into a squalling tantrum, like a wilful, denied, child. The fire whooshes and crack-crackles in the hearth as the wind tugs it up the flue. As the weather rages outside, so my body rages with fever. I sweat, I shake, I quail. I lose all sense of perspective, distances wax and wane. By bringing all my powers of concentration to bear on a spot on a rafter in the roof I bring it within inches of my face and study the minutiae and the dust and the insect husks that lie there. By force of will alone I push my feet away until I am five leagues long. My body twists itself like an unearthed worm, my skin pops and fizzes in its sweat, my knees feel backwards like a bird’s. I stamp like a seagull after the rain.

As I swim in and out of focus, dreams slip the leash of sleep and I know neither truth nor fiction. Ghosts come to me one by one, each slipping into view regretfully, or boldly, with grace and with petulance, each as to their manner in life. A sliver of a girl, translucent in the ghastly lightning and flame licks, sidles up and pours her brittle breath in my ear. She tells me how her teacher, sickly jealous of the butcher boy who kissed her under the spreading maples at the autumn fair, came to her as she washed her linens in the river and caved in her head with a mossy rock. She leads me by the hand down the river to the tide pool where she came to rest. She sinks her skinny legs into the thick layer of seaweed that cosseted her remains and begs me to wade in and hold her, to warm her cold, salty bones. I cry for her and flee back to the hearth where my febrile body twitches and groans. The stink of damp ash precedes my next guests, a woman and her black eyed boy who crawl from the grate leaving a trail of wet char in their wake. She tugs at my feet as he flops around on the rug, his listing mouth flapping like a banked trout’s. These ghouls were burned alive in their house on the bluff, when some indolent boys set fire to the long grass to spite the son, whose lazy eye marked him out in the village and at school. The hot summer wind caressed the flames into a fierce wildfire, which encircled and then ate them in that tiny cottage. Their bones still lie upon that cliff, still burned black, the stinging rain of winter whipping through the blown roof to drown them in silty pools of cinders. They implore me with their burst and blistered eyes, their useless tongues bloated and boiled in their mouths.

The whole night these mean sprites come to me, each gasping their dreadful tales, each pleading for peace to their damned souls. Wives, brothers, sons and mothers, lost all. I am powerless to help in my wracked state, even if I would. They come alone and in pairs, in small ragged groups. They are broken and abused and sorry each and every one, but I cannot care. Each story numbs me, the more terrible, the less I feel. I wait for her to come, the only ghost with meaning, the only one whose story I long to hear. What happened to her? I ask, plead and cajole for crumbs, but selfishness is not limited to the living and the ghosts obsess over their own vulgar ends, awhile the hours. The fever swells and yet they don’t leave me alone. There are more and more, crowding into my parlour, shrieking and yabbering and croaking like a morbid zoo. They have no mass, but the density of their blighted presence wears on me like a lead suit. A woman stumbles from the crowd, naked from the waist down, head missing. She drops to her knees and rips open her shirt, offering her black and rotting breasts to me for release. I close my eyes, but a headache like a hundred tiny axes hacks into my head, a pain as hideous as the headless hag juddering behind my bulging eyelids. The vomit bubbles up in my throat, searing and tearing. Suddenly my whole frame spasms and seizes, twitches and clutches and I heave a stream of torrid bile over my shirt, where it seeps onto my stewing belly. I shudder again, sending a boiling stew of vomit down my leg, making my vision blur with tears. I stay doubled over until my eyes refocus on my foot, and I watch a thin drizzle of gastric juice slide between my toes and trickle onto the floor. I remain like that, watching the stinking liquid soak into the rug until the ringing in my ears ceases. Only then do I notice that the battered woman and the other ghosts are gone. There is no sound except the soft cracking of the last of the logs in the grate.

There are two gentle footfalls and I raise my aching head to see who my new tormenter is. Two feet from where I sit, doubled up, are a pair of dainty feet, nails short and clean.  They are as white as dewdrops, they are brushed by a long cotton skirt, faded green. I raise myself painfully, and gasp, not from the pain, but because it is her. I am instantly ashamed about my condition, my sweat, dirt and vomit. She doesn’t seem to notice, just stands there, unfocused, stone still bar one hand fluttering at her side, a butterfly. I pull the blanket around, to hide my derelict state and look askew into her face. It is just as I recall, pale blue eyes like a rain filled dawn. I sob at the reminder in her lips, a fuller blue than her eyes. At the sound, she seems to start, her gaze returning from afar to rest on me. She seems to smile, a gesture as slight as the weight of her insubstantial wrist. It is the first I have had all night and it cracks me wide open. When she speaks, there is no sound, but I hear her slender words as though she was cradling her head on my chest, the tones of her voice playing in the cavity of my chest.

“Will you come with me? To show you is all I can do.”

“I will.”

We are on a hillside, dewy grass blue in the moonlight, a copse of bone white birch behind us. I recognise it as the place where we used to come, where we’d lie in the long grass to watch the sunrise over the village where we had grown up and had grown together. There are other ghosts here, as real as I, of me and her, and our moments. She slips her hand into mine and we walk those familiar steps into the trees, through the fronds of ferns where she had twirled her fingers and laughed freely. We passed the spot where I kissed her first, and climbed the mound where we pretended ancient kings slept, waiting for the world to need their strength again. At the crown, she stops and turns to me.

“It was here. In our copse that it happened. I waited here as we used to, but he was here instead of you. With his hands around my throat up against a tree, his breath on my cheek hot and silty he choked me and shook me like a silly puppet and dropped me, spent, in the dirt.”

“I never…”

“It doesn’t matter, my darling.”

She laid an alabaster finger on my lips.

“Promise me. Bury me under the oak tree. Wrap my bones in white linen and lay them to rest. Will you?”

“I will.”

She smiles, and this time a little heat touches me, lightly, like a sage scented summer breeze. Then she is gone, leaving me alone, once more. I curl into a ball in the rough, cool dirt and, finally, sleep takes me.

One/Four: Photograph (part 1)

July 6th, 2009

The doctor at the hospital told me H’s appendix was the size of a tennis ball when they cut it out, ready to burst. He was lucky they’d got to him when they did, any longer and he could have died. I went through to the ward. H looked shrunken in the bed, like they’d taken out more than his appendix. He had a tube in the back of his hand and one up his nose. The skin around his eyes was almost as black as his hair, his skin almost as white as the sheets. He was slick with sweat. I stayed with him until it got dark. Eventually the nurses shooed me home, reassuring me over and over that he was fine and I could come and see him tomorrow.
I came back the next day after school, and the day after, but it wasn’t until three days had passed that he woke up. It was a busy Saturday and I had to struggle through the morning shoppers to get to the hospital. I was exhausted by the time I got to his ward. I smiled at the nurse on duty, a new girl I hadn’t seen before. H’s bed was the third bed on the right. When I got there, I smoothed his hair and placed my hand on his forehead. He was cooler than he had been for the last couple of days. I sat down on a green chair, bathed in warm autumn morning sunshine. I must have drifted off, because I was woken by his voice,

“Did they take it out?”
“Oh. Yes. You’re ok now.”
“What day is it? It must be Wednesday.”
“It’s Saturday.”
“Saturday! I can’t have been asleep all that time! I don’t remember. What happened?”

He seemed more terrified by the loss of those days than by the operation. But then he’d had more than his fair share of hospitals for a kid his age.
For the next few days he stubbornly refused to sleep, snapping back his eyelids and shaking his head every time he drifted off. He kept asking me what was happening outside, at school, at home, what he had missed, if his classmates had asked about him, who had built the best snowman. On the third day he seemed calmer and allowed himself to doze fitfully. In his sleep, H assumed the look of a startled animal, skittish and twitchy. His arms and legs kicked out, like when a dog is dreaming. I wondered what he was chasing. I stroked his brow as he slept, to calm him.
After two weeks he was allowed to come home. I collected him from the hospital and we drove home. All the way, he scrutinised everything, trees, buildings, people walking their dogs. He seemed reassured that everything looked the same, that the world hadn’t changed in his absence. He went first to his room, and spent a few minutes sitting on the bed, looking around. It was like he was seeing everything for the first time, or playing Kim’s Game. I had the feeling that he was trying to fix the image of all his toys, his clothes, and his furniture in his mind just as they were. I stood in the doorway, watching him closely. Something had changed about H during his time in the hospital. He’d always been a serious kid, but now he seemed somehow disconnected from the world, like he was looking at everything through glass. He seemed a thousand years old. Eventually his eyes came to rest on me. All at once he was a kid again.

“You were there when I was asleep. I wasn’t sure at first that it was you because I didn’t really see you. It was more like a feeling that you were there.”
“That’s good. I was there, you know. Maybe because I was thinking about you so much I could cross over into your sleep.”
“I think that’s right. I’m not sure that if you weren’t there I could have woken up. I think that you reminded me that I had to come back.”
“Don’t worry about it too much. You’re home now.”

I walked to him and sat down on the bed beside him. He leaned into me like he used to when he was younger. I put my arm around his shoulders. We sat there for a while, not speaking. After a while he stirred.

“I’ve been thinking about something.”

H got up, and walked into the hall. I heard him open the store cupboard and the sound of him rummaging around. After a minute, he returned carrying J’s old camera. I had no idea that it was still in there. The case was dusty and battered, but it was a good make. J had never used it much; he never really had the eye for it, but somehow it looked right in H’s hands.

“Do you have any film?”
“I think there’s some on my desk. I’ll go get it.”
“Thanks.”

I went to my room and took a roll of film from my desk draw. As I slide the draw shut again I suddenly had a thought. I pulled the drawer open again and took out the thick stack of papers. Stuff I wanted to deal with later, or didn’t know what to do with but didn’t want to throw out. I searched through and near the bottom I found two black and white photos, taken with the same camera that H had unearthed. Both were of me. In the first, I was standing facing the camera in a simple white dress. I was on a ferry and behind me was an expanse of dark water. The wind had caught my hair and blown it across my face, so anyone looking at the photo would have a hard time knowing who it was. I looked cold. The second photo I hadn’t realised he had taken. I was leaning over the rail of the ferry, looking out to sea. There was nothing in my expression.
I put the papers back into the drawer and then dropped the photos in the bin. Then I went back to H’s room. When I got there, he was fast asleep, the camera, now out of its case, cuddled under his arm like a teddy bear. I slid the door shut and went and made some lunch.

10 Scenes from the train

June 8th, 2009

1. A beautiful girl with bad, dry hair dressed in a purple coat and purple top reads her boyfriends book over his shoulder while he ignores her.
2. A fat middle aged woman in a garish pink t-shirt and no bra rests her saggy breasts on her belly while she reads a thick badly written thriller. Her husband has a lump on his head the size of an egg.
3. A well off couple, he with his stripy shirt opened to the 3rd button and she with a tight, pinched mouth, laugh over story in the paper about a body found in a wheelie bin. They both have 70s tans.
4. A bald man dozes, waking up at each stop looking confused.
5. An extremely masculine woman with a mouth like a carp sits next to a dumpy asian man with a long, curly beard who is counting his prayer beads.
6. A man in his mid fourties texts on his phone, looking awkward and uncomfortable with the technology like someone who is pretending that they smoke.
7. A Canadian lady talks about someone wanting to get the cathedral involved. She has a nice voice but seems a little anxious.
8. A old man with extremely blue eyes and a smiley face coughs into his fist and tries to sleep. He is perched in an uncomfortable position, looking like a drunkard holding onto the table for support.
9. A woman in a stripy t-shirt and a pink cardigan has a suitcase, some duty free and a face full of regrets.
10. A young black man reads Hi-Fi Magazine.

The band

May 15th, 2009

In this insalubrious space they are not any less big, but much more tiny, more detailed. There is a petitness, a skinnyness to the refrain. A breaking wave scatters the silence of the band, falling down into a clutter of sound. The drums champ, scattered cymbals chink amongst the battering of a tom-tom. The voice a soothing chant, repeating words not of this world, a lullaby for worldless children. The sound is soft and round and scared, a late mother of a toothful dog-child. There are strings skittering around the bowed double bass, wilful imps amongst a stirruped back beat. A piano tramp corrals a buffoonery of darting horns against pitch deep grumbling accordion. The bright new brass chimes in delirious arpeggios, scaling and spiralling around the droning chord walls. The tale of the song is pitiful sweet and alluring, recants of sonabulent doll-fiends and dredging drug slaves. The scantity of light lives against black back stories. Whilst it could be mere precious starling chirrups, the grissly ribs of the song poke through, revealing meat and cartilage that brays of the bravura adventures and callous endeavours of youth untethered. It is at once gaseous and graceful, yet equally stumbling, sod laden, wall-eyed and arrogant.
It is as elemental as any sound given rude form, punchy and rueful in a recumbent back room, belying its paunchy surrounds to bruise the sensibilities of the audience with its delicate and divisive incantations. Once over, the taste of the melody hums in the belly of the ear like the virginal stealing of a straying uber-mensch. The band stagger off, drained and bloodless, spent. We splinter home to wonder at the world made unreal by these strains of eloquent guttery, too revived to fear the workful grey dawn, happy and dirty and whole.

It is the music that makes us.

Back from Japan

April 16th, 2009

Cherry blossom in Kyoto

Well, the Bennett family’s annual trip to the land of the rising sun is over again. Coming back to Brighton on the bus always reminds me how vibrantly green England is, pretty much all year round. This lead me on to think about other things I miss about England. It pretty much comes down to sausages and cheese. Those and the ability to communicate with people with a better vocabulary than my 2 year old daughter. However, sausages can be imported and my Japanese is 5x better than when I left. I think I could do with the lush rolling hills of England if I get out into the mountains, bamboo groves and moss gardens every once in a while.

As you may know from if you read my last post, we’ve been thinking about a move over there and this trip was, in part, to suss out the viability of doing that. We took a trip over to Kyoto, where we’d ideally like to live, for that reason and also to check out the cherry blossoms, which at this time of year are full on gorgeousness. Whilst there I picked up a property paper and with the help of my good lady wife perused what was on offer.

What I mostly learnt was this:
Renting in Japan is ridiculously expensive. Not (necessarily) because of the actual rent, but because deposits seem to be at least 3 months rent, a month goes to the estate agent and then there is ‘key money’ which is essentially a gift to the landlord. In some cases this was about Â¥500,000 – roughly £3000 in today’s money. Seems like an awfully big gift to me!

So, a little disheartened I decided to check out the properties to buy. I was pretty surprised by what I found. I’d heard tales that the building standards in Japan were very low, with the average age of properties being ~15 years and anything about 30 years old falling apart(compared to the UK, where the average is 120-150 years!) but I didn’t realise how much this affected property prices. New houses were comparable to the UK, at about Â¥30,000,000 or roughly £200,000. However, looking at older buildings showed how quickly house prices depreciated. 1 property I found, built in 1961, cost just Â¥4,000,000 – that works out at just under £27,000, even with the weak pound! Admittedly it was tiny and had no outdoor space (except the toilet!) but even then, the land itself would surely be worth more than that?

From speaking to a few people, it seems that the housing market is very different to that in the UK, with very little upkeep of buildings. There is definitely not the DIY minded approach that there is here in the UK. The Japanese would rather demolish and rebuild than repair or modify. How much of this is due to the constant threat of earthquakes, the wooden construction of most small houses or the constant need of the Japanese to have the latest and best, I don’t know. We worked out that if we lived in a house of less than Â¥10,000,000 (£67,000) for about 5 years, it would be cheaper than renting and would offer at least some return on investment. Add to that the possibility of getting a fixer upper at a bargain price it would seem to be the way forward. Of course, even that amount of money is still a considerable chunk, so I’m going to investigate further but it’s good to know there is a way forward!

Blog jam and Plan Japan

March 25th, 2009

tokyo skyline

Over the last 2 years, I’ve focussed all of my efforts on learning Actionscript. More recently I’ve begun to learn how to use Flex. I think I’m now at the point where I’m comfortable enough using Actionscript to be able to do pretty much whatever I want. Flex still stumps me with some of its code juju, but I now feel confident in tackling its arcane magic head on now. This blog is, in a way, a chart of my progress in these things. Well, from now, I’ve decided to take a slightly different direction.

Along with the rest of the Flash speaking world it seems, I have decided to move into game development (yeah I know Flashers have always made games, but games on other platforms) – and I’m not just taking about games for a certain fruit based brandwagon. In order to do this I’m going to need to learn another programming language. After some thought I’ve plumped for C++. Why? Well, I wanted to cover as much ground as possible mainly. C++ is a language that will give me a good base for developing for the Nintendo DS, the Wii (via the rather excellent Unity3D), the iPhone and others. As far as I can tell, all of the above will require specific graphics and controller code, for example using Objective C for the iPhone graphics. However, I didn’t want to limit myself to an Apple specific language which, by all accounts, has been hit with the ugly stick a few times.

I also want to post more on my blog. There is a lot that goes on in my life besides writing code (but sometimes the code does rather take over) and I’d quite like to put that out somewhere. As I get older, I’m pretty sure my memory is going, so it’d be nice to be able to look back and realise that I did more than program 24/7! Someone also mentioned that they thought my blog didn’t have enough pictures on it, so more of that too.

I’m setting up a new blog over at my company Steamshift’s website which is here: my other blog which I’m going to reserve for posts about the day job, while this one is going to be more esoteric in its content :)

The last thing, which is pretty big, is that my family and I have decided to move to Japan. For those that don’t know me, my wife is Japanese and we’ve always thought it’d be nice to spend a few years in Japan while the kids are young. We planned to go in May, but the global money bunglers have managed to make sterling so weak I might as well use cheese as a currency. Since I planned to carry on freelance work for my UK clients and to rent our house out to cover our Japanese living expenses, this has obviously impacted my earning potential. We are still going to go, but it’ll just take a while longer.

So onwards and upwards, as they say.

First steps with Flint Particles

January 16th, 2009

I’ve been meaning for a while to have a look at Flint and so here are my first steps with it.

First off, I like the way it is arranged. It is incredibly modular. Whilst this probably has implications as far as optimisation (although it seems to handle a whole load of particles pretty nicely), it does mean that any kind of particle system can be plugged together easily.

There are 2 basic objects that need to be instantiated – an emitter and a renderer. There are a few different types of renderer, for different types – Bitmap, DisplayObject and Pixel.

Once you have your emitter created, then the behaviour is adjusted by adding 4 things.

Initialisers.
These are used when a particle is created, so things like colour, mass, size, image to use etc.

Actions.
These are applied to the particle every frame. Things like gravity, collisions etc.

Zones
This an area of the screen, commonly a point, line, rectangle or circle. Zones can be used for some initialisers, for example position and velocity. A Zone used for position will be used to randomly place a particle in that area. The velocity zone creates the velocity based on the time taken for the particle to travel from [0,0] to the randomly selected point. Zones can also be used as actions. For example, a DeathZone is an area that removes particles that enter (or leave) it, and a Jet zone is one that adds a velocity to the particle if it is inside.

Activities
These modify the behaviour of the emitter every frame, for example making it follow the mouse or rotating.

Most of these have a 2D and 3D counterpart.

Right. Enough explanation. Here’s the first experiment:
(Please note there is a bug (in my code) that occasionally comes up where the particles are duplicated endlessly. You have been warned!) This has now been fixed :)
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Using Flex UIComponent width and height

November 24th, 2008

AS you might know, the only way to add Sprite based classes into a Flex project is by adding them to a UIComponent or a subclass of UIComponent. This adds some extra complications. One of these is that UIComponent does not report width and height correctly. If provided with an explicit width and height, the UIComponent’s size will be set to whatever it was when initialised and will not change if, for example, the contents of the component are scaled. This means that whatever contains the component will not respond appropriately. Dynamic sizing doesn’t seem to work at all. (As an aside, I do think that this is rather a poor implementation, since it breaks the existing functionality of DisplayObject)

In order to correctly set the size we need to recreate the DisplayObject functionality in order that from outside the component we can see the changes in size. In order to do that, it’s necessary to understand how UIComponent (and by extension, most of the other Flex components) is set up and handles sizing.
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Rockin with the Brighton Massiv

November 21st, 2008

You wan freelance? We got freelance. (If you’re in Brighton (or London (or anywhere, it is nearly 2009 (where did that go?) now) ) which, let’s face it, you wanna be).

Presuming I haven’t lost you with all the nested brackets, I’ve been kindly linked to by a few people now on the list of the top Brighton Flash Developers. Clearly it would be rude not to do likewise…

Here’s my list in alphabetical order:

Designers/Animators

Charis Mystakidou (wiredportfolio.com)
Kristan Akerman (sting.co.uk)
Luke Hornsby (flamingpixels.co.uk)
Tim Frost (bullandgate.com)

Developers

Me (here and also my company steamshift)
Matt Pearson (actionscripter.co.uk)
Matt Sayers (soplausable.co.uk)
Neil Manuell (revisual.co.uk)
Nikos Chagialas (devgallery.com)
Richard Willis (richtextformat.co.uk)

There were some more, but I think they’ve all been employed by plugin-media :)